“Feminists claim that we’re all the same,” she sings over tear-jerking piano and chamber strings, “but I don’t know a man who’s felt the same shame. The result is a back-to-basics move performed without an ounce of cynicism. And, at Hynde’s opposite extreme, the album ends just 30 minutes later with an ode to her most desolate park bench breakdowns called “Crying in Public”. Hate for Sale Lyrics by Pretenders from the customalbum6055711 album - including song video, artist biography, translations and more: Hate for sale Hate. Bad news is that it’s already delayed originally, it was set to come out at the. It’s a roadhouse rock “You’re So Vain”, in that it’ll have you forever scouring the song for clues about which superstar scumbag she’s skewering. Curated by Chrissie Hynde, Pretenders first two iconic albums Pretenders & Pretenders II are celebrated in two brand-new 3CD deluxe editions. Just last week, the Pretenders announced a new album, Hate For Sale, with the lead single The Buzz. It begins, on the title track, with a ball-breaking caricature of rock’s toxic masculinity, Hynde sneering witheringly at “an arrogant idol” with “hate for sale” who “takes and gets whatever he likes, women, cars and motorbikes” and has breath that could “stop the clocks”. tour tonight in support of the Pretenders’ latest album, Hate for Sale.
With its bright shiny sonics buffed by Blur/Smiths producer Stephen Street, it ranks up there with the best of the early Pretenders albums. A feminist icon renowned for snarling and snorting her way through a man’s world without compromise, yet capable of such tender moments as “I’ll Stand By You” and “2000 Miles”, she embodies a unique blend of assuredness and vulnerability, which is captured in sharp, acerbic portrait on this 11th Pretenders album. It’s a Friday evening in mid-May, and Chrissie Hynde was supposed to kick off a U.S. Hate For Sale is surely one of the best albums this legendary band has produced, vivacious in a way that could even rival fan favourite Learning To Crawl. Thigh boots hoiked rakishly over denim, the swashbuckling queen of British new wave Chrissie Hynde has always trodden a singular rock’n’roll path.
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